Build your own pyramids, write your own hieroglyphs.
As pyramids permeate time as symbols. Hieroglyphs are symbols to explain the dimension of capacity to align with mentally.
? - ?
The Garden of Earthly Delights - Hieronymus Bosch
The Broken Bridge and the Dream - Salvador Dali, 1945
The Sistine Chapel - Michelangelo di Lodovico Buonarroti Simoni
I find it interesting to note God is within what looks like the human brain surrounded by others, man does not extend his touch to reach God, it is mans choice.
Salvator Mundi - Leonardo Da Vinci
The Last Supper - Leonardo da Vinci
Above the figure:
Vitruvius, the architect, sets down in his work on architecture that the measures of man are distributed by nature in this way — that is, that 4 fingers make 1 palm, and 4 palms make 1 foot, 6 palms make a cubit, 4 cubits make a man, and 4 cubits make a pace, and 24 palms make a man; and these measures he used in his buildings. If you open your legs enough that you lower your head by 1/14 of your height, and open and raise your arms so that with your long fingers you touch the line of the top of the head, know that the center of the extremities of the spread-out limbs will be the navel. And the space that is found between the legs will be an equilateral triangle.
The Vitruvian Man - Leonardo da Vinci
Below the figure:
A man's outstretched arms span as much as his height. From the start of the hair to the end below the chin is one-tenth of the man's height. From below the chin to the top of the head is one-eighth of the man's height. From the top of the chest to the top of the head is one-sixth of the man. From the top of the chest to the start of the hair is one-seventh of the whole man. From the nipples to the top of the head is one-fourth of the man. The greatest breadth of the shoulders contains within itself one-fourth of the man. From the elbow to the tip of the hand is one-fourth of the man, and from that same elbow to the end of the shoulder is one-eighth of the man; the whole hand is one-tenth of the man. The virile member begins at the middle of the man. The foot is one-seventh of the man. From below the foot to below the knee is one-fourth of the man. From below the knee to the beginning of the member is one-fourth of the man. The parts that are found between the chin and the nose, and between the start of the hair and that of the eyebrows — each space, by itself, is equal to the ear, which is one-third of the face.
Nature has four fundamental forces — strong, weak, electromagnetic, and gravity — and we've spent a century hunting particles to explain the matter and interactions we can't see. Einstein, sharpened by Noether's theorem linking symmetry to conservation laws, geometrized gravity through general relativity, but the other three forces refused to fit and demanded quantum field theory instead. Kaluza and Klein made the founding bet in the 1920s that this split closes in higher dimensions: fold extra dimensions tightly onto themselves, and the geometry of those compact manifolds delivers the missing forces for free. Modern theories — string theory, and Witten's M-theory in eleven dimensions — push this all the way, with the shape, topology, and singularities of the internal manifold producing the Standard Model's gauge groups, particles, and couplings from a single higher-dimensional Lagrangian, with antimatter falling out as the CPT mirror the geometry automatically demands and gravity reframed not as a force to unify but as the manifold itself. Given how much of the Standard Model already emerges naturally from this geometric machinery, it's reasonable to suspect that dark matter and antimatter asymmetries are better pursued as questions about the shape and flux of the internal manifold than as new particles to be found in colliders — though the landscape of possible compactifications is still vast, and which one is ours remains the open question.